Embroidery Techniques from Around the World: Reticella

Technique: Reticella

Place of Origin: Italy

Earliest known date: late 15th century

History: Reticella (or Reticello, Italian for little net) is a style of needle lace that arose in the medieval period of the late 1400s. Reticella has a place within the evolution of cutwork embroidery; it is believed to have been the descendant of Punto Tagliato, and the ancestor of Punto in Aria.

Partlet with high standing collar made in reticella work. Early 17th century, Holland.
Rijksmuseum Amsterdam, BK-14612.

The word “reticello” first appeared in the 1591 book Corona delle nobili et virtuose donne (Crown of noble and virtuous women) by Cesare Vecellio. Reticella embroidery featured in royal wardrobes of the time. Queen Elizabeth I’s wardrobe accounts include chemises, cuffs, collars, neck ruffs, and other edgings and borders with reticella embroidery.

Princess Elizabeth Stuart, later Queen of Bohemia, wearing a reticella collar worked with the English royal coat of arms,[1] unknown artist, 1613, National Portrait Gallery, London.
Reticella embroidery continued to be popular in the 16th and 17th centuries in Italy, featuring in clothing, household linens and pillowcases, veils, and ceremonial and religious garments.

Materials: Reticella embroidery was traditionally worked on white linen ground cloth using white linen thread. Today, embroiderers may also opt for cotton cloth and cotton or wool thread. Given the predominance of white materials and process for preparing the fabric, reticella can be considered a whitework, cutwork, and drawn thread technique.

Italy, 16th-17th century – Needlepoint (Reticella) Lace Square – 1920.1098 – Cleveland Museum of Art

Techniques: To create reticella needle lace, embroiderers would remove squares from linen ground cloth, leaving warp and weft threads or adding threads or cording to create a structural outline on which designs could be stitched. Today, embroiderers usually outline the squares that will be cut away with running stitch, then cut away the reinforced area, leaving some warp and weft threads to act as cross bars on which the embroidery designs will be worked. Satin stitch or four-sided stitch may be added to the edges to reinforce the work. Additional bars—diagonal, horizontal, and vertical—can be added as the design comes together, with the stitcher creating braid frames for laying down and supporting the stitchwork.

Reticella Sampler. 21st century. Embroiderers’ Guild of South Australia Museum.

Stitches: Buttonhole stitch is the most common stitch in reticella. However, reticello designs may also feature other decorative stitches like four-sided stitch, woven bars (brides), bullion picot, satin stitch, and needle weaving.

Lace Collar, 1560–1600. Italy, Genoa. Linen; lace, open cutwork (reticella) and bobbin; overall: 56.8 x 29.5 cm (22 3/8 x 11 5/8 in.). The Cleveland Museum of Art, Gift of J. H. Wade, 1920.1240

Motifs: Reticella designs are abstract by nature, and often geometric or floral. Star-like shapes, rosettes, leaves, crosses, vines, swirls, triangles, squares, and circles feature in many reticella designs.

Needlepoint (Reticella) Lace Cuff, second half of 16th century. Italy, Genoa. Lace, needlepoint; average: 7.4 x 24.2 cm (2 15/16 x 9 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. Edward B. Greene, G. G. Wade and J. H. Wade Jr. for the Ellen Garretson Wade Memorial Collection 1923.1011

Are you interested in learning more about Reticella and other cutwork and drawn thread techniques? Explore the Group Correspondence Courses Reticello Needlebook with Jonalene Gutwein, Fandango with Barbara Kershaw, and Symphony with Barbara Kershaw.

Reticello Needlebook by Jonalene Gutwein

Sources

Reticella. In Wikipedia. https://en.wikipedia.org/wiki/Reticella

Pagano, M. (2020). Simply Elegant: Pagano’s Early Reticella Lace Designs, 1544-1554, Venice. James G. Collins & Associates.

(n.d.). Reticella Sampler by Christine P. Bishop. Inspirations Studio. https://www.inspirationsstudios.com/news/article/reticella-sampler-by-christine-p-bishop

(n.d.). Cutwork. RSN Stitchbank. https://rsnstitchbank.org/technique/cutwork

De la Bere, S. (n.d.). Reticella: A walk through the beginnings of Lace. Bayrose. http://bayrose.org/AandS/handouts/reticella_rev.pdf

De la Bere, S. (n.d.). Reticella. TRC Leiden. https://trc-leiden.nl/trc-needles/techniques/lace-making/reticella

De la Bere, S. (n.d.). Different Styles of Reticello. Italian Needlework. https://italian-needlework.blogspot.com/2010/06/different-styles-of-reticello-part-one.html

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